I’ll start my road test of MasterWriter with the first thing you’re likely to encounter – its look. As such, it’s unlikely to be the only tool you’ll need, but it may still have a major place in your writing process. There are some basic formatting options and a competent spellchecker, but MasterWriter is exactly what it claims to be: a writing tool rather than one for heavy editing. In practice, this comes in the form of a unique workspace, complete with fully-integrated dictionary (rhyming and regular), thesaurus, encyclopedia, and the other tools you’ll need to find the best version of a thought, sentence, or story. Is MasterWriter the next big thing for authors? There’s only one way to find out.
BETTER THAN MASTERWRITER WINDOWS
It works on a variety of devices (laptop, phone, tablet) and is compatible with Apple, Android, Windows and iOS, basically meaning that the only devices that don’t have access are pens and typewriters. MasterWriter is a writing tool aimed at authors, screenwriters, and songwriters, professing to be ‘the most powerful suite of writing tools ever assembled in one program’. That’s why in this article I’ll be taking on some of the work for you, road-testing the popular MasterWriter suite of writing tools and delivering a MasterWriter review to help you make up your own mind.
The only problem with that advice is that sometimes, especially when you’re comfortable with your current writing tools, it can seem like more trouble than it’s worth to investigate new, potentially better options.
BETTER THAN MASTERWRITER SOFTWARE
At a certain point, it makes sense to take stock of new developments – whether they be hardware or software – and damn the questionable example of an infinite number of monkeys in favor of something that makes it easier to produce great work. You’ve Got Maileven introduces Greg Kinnear’s impassioned, intellectual columnist by showing he has three typewriters, suggesting he’s either of near-sublime virtue or that he stumbled across some kind of sale in the movie’s unseen prologue.īut whatever writerliness we’re told is bound up in using the simplest possible tools rarely translates into productivity or better craft. Can writers afford to be precious about how they write? Pop culture certainly seems to think we should be – showing an author at their typewriter is shorthand for a kind of worthy artistry in most movies, while anyone on their laptop or (shock, horror) a tablet is suggested to be a coffee-shop-haunting dilettante.
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